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		<title>Kissin’ Dynamite &#8211; 06.01.2023 &#8211; Schlachthof Wiesbaden</title>
		<link>https://www.catchingmovement.de/kissin-dynamite-06-01-2023-schlachthof-wiesbaden/</link>
					<comments>https://www.catchingmovement.de/kissin-dynamite-06-01-2023-schlachthof-wiesbaden/#respond</comments>
		
		<dc:creator><![CDATA[Thomas]]></dc:creator>
		<pubDate>Tue, 10 Jan 2023 20:29:54 +0000</pubDate>
				<category><![CDATA[Concert Photos]]></category>
		<category><![CDATA[Concert]]></category>
		<category><![CDATA[Dynazty]]></category>
		<category><![CDATA[Formosa]]></category>
		<category><![CDATA[Glam Metal]]></category>
		<category><![CDATA[Glam Rock]]></category>
		<category><![CDATA[Hard Rock]]></category>
		<category><![CDATA[Kissin Dynamite]]></category>
		<category><![CDATA[League of Distortion]]></category>
		<category><![CDATA[Melodic Metal]]></category>
		<category><![CDATA[Modern Metal]]></category>
		<category><![CDATA[Schlachthof Wiesbaden]]></category>
		<category><![CDATA[Wiesbaden]]></category>
		<guid isPermaLink="false">https://www.catchingmovement.de/?p=5194</guid>

					<description><![CDATA[<p>The gates of the Schlachthof in Wiesbaden reopened on January 6th this year for the first time after the winter break. And for this concert, the glam rock band Kissin&#8217; Dynamite was the headliner. But they didn&#8217;t come alone, they had three other bands with them in their suitcase. We&#8217;re talking about League of Distortion,&#8230;&#160;<a href="https://www.catchingmovement.de/kissin-dynamite-06-01-2023-schlachthof-wiesbaden/" rel="bookmark"><span class="screen-reader-text">Kissin’ Dynamite &#8211; 06.01.2023 &#8211; Schlachthof Wiesbaden</span></a></p>
<p>The post <a href="https://www.catchingmovement.de/kissin-dynamite-06-01-2023-schlachthof-wiesbaden/">Kissin’ Dynamite &#8211; 06.01.2023 &#8211; Schlachthof Wiesbaden</a> appeared first on <a href="https://www.catchingmovement.de">Catching Movement</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The gates of the Schlachthof in Wiesbaden reopened on January 6th this year for the first time after the winter break.</p>
<p>And for this concert, the glam rock band <strong>Kissin&#8217; Dynamite</strong> was the headliner. But they didn&#8217;t come alone, they had three other bands with them in their suitcase. We&#8217;re talking about <strong>League of Distortion</strong>, <strong>Formosa</strong> and <strong>Dynazty</strong>.</p>
<p>One or the other reader of this page should already know <strong>Dynazty</strong>, because I saw them at a concert in Weinheim last April.</p>
<p>Shortly before seven the evening started with <strong>League of Distortio</strong>n. This is still a relatively new band. Founded in 2020 by <strong>Anna Brunner</strong>, who may sound familiar to some because of the symphonic metal band <strong>Exit Eden</strong>, and <strong>Jim Müller</strong>, guitarist for today&#8217;s headliner. It was immediately noticeable that he wasn&#8217;t on the stage, but was represented by <strong>Olli Sattler</strong>. The reason for this is not because he was ill, but because he wanted to concentrate fully on his performance with <strong>Kissin&#8217; Dynamite</strong>.</p>
<p>There was also a replacement on bass. But enough of the trappings, the concert itself is more important. As a first band, you traditionally don&#8217;t have that much time, which is why <strong>Anna</strong> held back with the many speeches and the band showed what they were made of and that it is definitely worth following their path. It was was good Modern Metal, where <strong>Anna</strong> was able to shine with her clear vocals, while the somewhat heavier passages unfortunately came across as a bit weak. But the 25 minute show was definitely fun, both for the band and the fans.</p>
<p> [<a href="https://www.catchingmovement.de/kissin-dynamite-06-01-2023-schlachthof-wiesbaden/">See image gallery at catchingmovement.de</a>] After a fairly short conversion phase, <strong>Formosa</strong> surprised everyone by coming onto the stage with the hall lights still fully on and just getting started. For us photographers, this led to an almost panic-stricken bustle to get into the ditch and miss as little as possible. What followed was 30 minutes of hard, honest hard rock, with a lot of movement on stage, a singer who was ashamed of nothing and always attracted attention with his clear dance interludes. The band itself says about their performances: &#8220;<em>&#8216;Hard and Heavy&#8217;, fast, very slow, sexy, with kisses on the neck, oaths of love and all the trimmings.</em>&#8221; I can second that, it&#8217;s a pretty good description of what was offered on stage. Of course, the most famous song <em>Fuck up your Liver</em> couldn&#8217;t be missing, and with <em>Manic Lover</em>, <strong>Nik</strong> even wore a kind of feather coat, which gave the whole thing a special touch.</p>
<p>Setlist&nbsp;<strong>Formosa</strong>:</p>
<ol>
<li>Living on a Blade</li>
<li>Dynamite</li>
<li>Masquerade</li>
<li>Fuck up your Liver</li>
<li>Katlilla</li>
<li>Rolling High</li>
<li>Light it up</li>
<li>Manic Lover</li>
<li>Bad Boys</li>
</ol>
<p> [<a href="https://www.catchingmovement.de/kissin-dynamite-06-01-2023-schlachthof-wiesbaden/">See image gallery at catchingmovement.de</a>] Much time wasn&#8217;t wasted between <strong>Formosa</strong> and <strong>Dynazty</strong> either, so viewers were hardly given a breather. At 20:15 the lights went out again and the <strong>Dynazty</strong> intro played.</p>
<p>It started with two songs from the 2018 album <em>Firesign</em>. A slightly heavier, less melodic song, followed by one with synths. Just to show how varied the band can be. Of course, something new was also played, with three songs from the current album. Including the ballad <em>Yours</em>, which gave some viewers goosebumps. Then there was something that I now see less and less at concerts, a classic drum solo by <strong>Georg</strong>. He was able to really show what he could do for a few minutes. It was very impressive and delighted the fans present. After <em>Presence of Mind</em> came the band&#8217;s most famous song by far, <em>Heartless Madness</em> (25 million streams on Spotify, <em>Presence of Mind</em> as the 2nd most streamed song has just under 9 million). At first only the first two notes of the song played and then nothing came, but that was enough for some, including me, to recognize it immediately. And it was celebrated. As in Weinheim, the audience was involved. First everyone was allowed to sing a classic &#8220;Oooooooooo Heartless Madness&#8221; before the hall was divided into left and right to see which side is louder. As is so often the case, it ended in a draw before everyone was allowed to take part again. Before they played the last song, <em>The Human Paradox</em>, they briefly left the stage while the song&#8217;s intro music was playing. It was actually clear that there was another song to come, and yet many viewers shouted &#8220;encore, encore&#8221;, which shows how well <strong>Dynazty</strong> was able to convince. The 50 minutes of playing time flew by and the band thanked the fans for their support with several bows.</p>
<p>Setlist <strong>Dynazty</strong>:</p>
<ol>
<li>In the Arms of a Devil</li>
<li>Firesign</li>
<li>Natural Born Killer</li>
<li>Waterfall</li>
<li>Yours</li>
<li>Power of Will</li>
<li>Drum Solo</li>
<li>Presence of Mind</li>
<li>Heartless Madness</li>
<li>The Human Paradox</li>
</ol>
<p> [<a href="https://www.catchingmovement.de/kissin-dynamite-06-01-2023-schlachthof-wiesbaden/">See image gallery at catchingmovement.de</a>] What followed was a major removal of tarps, blankets and the like to reveal the setup for <strong>Kissin&#8217; Dynamite</strong>, complete with podium, stairs and a raised drum kit. Otherwise not much had to be dismantled or rebuilt, only the drums used by all three bands. Nevertheless, it took a while until the music stopped at 9:30 p.m., the hall lights went out, we photographers were let into the ditch and a murmur went through the hall. It was done. The intro music was playing, you couldn&#8217;t see anything on the stage and when the lights came on they were all already there, on top of the built-up platform and the show started with <em>No one dies a Virgin</em>. The songs then continued on the same theme, with a lot of show, fun interludes by the band and interaction with the audience.</p>
<p>Be it because <strong>Hannes</strong> held his microphone stand with the microphone in front of the audience, or because the audience was asked to clap. There were also the choreographed movements of the band members known from classic 80&#8217;s glam rock/metal, as well as a lot of nonsense from them. But there was also an emotional moment. The fans, who know the band better, knew what was coming when the piano was pushed onto the stage, but <strong>Hannes</strong> still talked more about it because he thinks the topic is important. It&#8217;s about the fact that he wasn&#8217;t doing well mentally in 2019, despite the band&#8217;s success and he asked himself the question of quitting. But he got a lot of support from his band and once again emphasized that they aren&#8217;t just his best friends, they&#8217;re like brothers to him.</p>
<p>During this time, <em>Scars</em> was born, which wasn&#8217;t originally intended to be a <strong>Kissin&#8217; Dynamite</strong> song, but the rest of the musicians immediately said that this song belongs on the record. What followed was a wonderful setting of those emotions. But that wasn&#8217;t the only extra moment worth noting. The obvious thing for <em>Ecstasy</em> was that they were touring with the <em>League of Distortion</em>. <strong>Anna</strong> came on stage to perform her duet from the <em>Ecstasy</em> album with <strong>Hannes</strong> live. And it was a worthwhile experience. Sure, there were a lot of songs that were known, since some of them are played a lot by Radio Bob, a local rock radio station, but with <em>Six Feet Under</em> the fans were particularly sure of the lyrics. This is the band&#8217;s most successful song in terms of Spotify streams. At the end there was an encore of two songs, with the concert ending around 11 p.m. After the obligatory crowd photo, picks, sticks and set lists were handed out to the audience and a fitting farewell was given. In the end it was a worthwhile evening that offered a total of 4 hours of energy, show, fun and good music.</p>
<p>Setlist&nbsp;<strong>Kissin&#8217; Dynamite</strong>:</p>
<ol>
<li>Intro + No one dies a Virgin</li>
<li>I&#8217;ve got the Fire</li>
<li>Sex is war</li>
<li>Love me Hate me</li>
<li>Only the dead</li>
<li>Livin in the Fastlane</li>
<li>What goes up</li>
<li>Scars</li>
<li>Intro + Yoko Ono</li>
<li>Ecstasy</li>
<li>I will be King</li>
<li>DNA</li>
<li>Six Feet Under</li>
<li>You&#8217;re not Alone</li>
<li>Not the End</li>
<li>Coming Home</li>
<li>Colours</li>
</ol>
 [<a href="https://www.catchingmovement.de/kissin-dynamite-06-01-2023-schlachthof-wiesbaden/">See image gallery at catchingmovement.de</a>] 
<p>The post <a href="https://www.catchingmovement.de/kissin-dynamite-06-01-2023-schlachthof-wiesbaden/">Kissin’ Dynamite &#8211; 06.01.2023 &#8211; Schlachthof Wiesbaden</a> appeared first on <a href="https://www.catchingmovement.de">Catching Movement</a>.</p>
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